INSTRUMENTAL  TRANSCOMMUNICATION
by Ernst Senkowski

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B-11  FORMS OF SPEECH CONTENTS 

B-11.1  AUDIO: ACOUSTIC-TECHNICAL ASPECTS 

The dead change the frequency – we lengthen the tones. 

The following two chapters deal with the acoustical and optical forms of speech in ITC. The voices’ peculiarities are predominantly looked at under acoustic-technical (T1-T5) and linguistical (L1-L4) aspects; a strict separation is not feasible. 

T1  Predominantly hurried, extremely fast, less frequently extremely slow way of speaking. Extremes of pitch. Acceleration of speech in the course of a contact (Ill. 12). Transient distortions that may lead to total incomprehensibility. Apparently unmotivated beginning or break-off of communication. Reverberations and echoes (a syllable or a word is preceded or followed by a low double). Hollow and brassy sounding or fluttering speech signals [99 – Already SWEDENBORG had observed, most precisely described, and explained a rapid speaking as well as peculiar rhythms of inner voices! (HEINTSCHEL, p. 146, from ‘The Spiritual Diary’).

In chapter E-31 it is attempted to interprete the speed variations (‘adaptation of different time-flows’). Changes occurring towards contact end, distortions, and short interruptions are presumably related with the onset of a weakening of the contact field.  

DESPITE OF DIFFERING CONDITIONS, THE RELATIVE INCREASE OF THE SPEED OF SPEECH AMOUNTS TO APPROX. 50 % IN THE THREE CONTACTS.

Ill. 12:  INCREASE OF SPEAKING SPEED

Part of the reverberations and echoes can be explained by the natural terrestrial conditions of propagation, particularly in case of short-wave reception. The simultaneous occurring of TI may be generally related with non-linear distortions due to amplitude variations and phase shiftings (running-time effects) [100]. This is not valid for KOENIG’s observations of ‘pre-echoes’ in the ultrasconic range (B-9.3). 

T2  Unusual volume fluctuations: rising in the course of a passage towards its end, or vice versa. Decline of quantity and quality in the course of consecutive recording experiments.

The decrease of the number of passages and their comprehensibility in the course of consecutive experiments was particularly distinct in KOENIG’s work, but was noticed also in that of CETL and HAERTING. Occasionally it was accompanied by a marked decrease in the ratio of syllables to words (see B-12.2). Possible cause: ‘lack of energy’. 

T3  Transinformation while receiving frequency is (continuously) varied; voices are hearable when tape is played backwards.

Regarding the varying of the (receiving) frequency for improving voice formation, see: DREISS, KOENIG (Generator), SENKOWSKI, STEIN in B-9.3. According to BEARDEN, multiple modulations are of special significance [101]. Clearly understandable voices from tapes played backwards have been confirmed frequently, even for ‘reversed’ tape (uncoated side against sound head). They often are found in places on the tape where paranormal elements are found also when played forward. In some instances the meanings of such two items of information fit one to the other [102]. The idea of entities ‘standing above time’ lends itself to understanding): Wir stehen vor der Zeit jenseits (We stand ahead of time beyond), or: Wir spielen mit der Zeit (We play with the time) (see T5 and F-38.4).

T4  Voices occur immediately before, or after actuating one of the recorder’s control keys, also before automatic stop at tape end.

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These observations support the suppositions that rapid changes of EM fields provide links into the transspheres and facilitate informative transitions (see HEIM, D-22), and that the active entities are gifted with precognitive abilities. 

T5  Short pulses (cracking or rapping noises). Various kinds of ‘switching noises’ and ‘carrier noises’. Recurrent passing of accompanying (frequency-modulated) tone signals (sawtooth functions).

Insofar as they are not natural (mains) interferences, these pulses may represent a kind of reversal of T4. Doubled pulses and brief sequences (e.g.: five individual pulses) convey the impression of pre-signals with which the transpartners, in a procedure formed on the analogy of our’s used with radar, test the permeability of a ‘space-time window’ and establish the actual contact if conditions are favourable [103].  

The ‚switching noises’ immediately before or after an item of TI are of particular interest. They have been noticed many times with VOT, but they also crop up with DEAV (BACCI). They were very evident in RAUDIVE’s combined audio-video transmissions of July 1^st , 1988 and the TECHNIKER’s of July 9^th, 1988, both received by CETL. They delimited the individual ‘blocks’ of the transmissions. Later, they were also documented at HOMES.  

Often a (carrier) ‘noise’ starts immediately before, or simultaneously with the paranormal voice, which can be interpreted as the acoustical form of a (signal) carrier generated in the Beyond, or which accompanies the transmission process. The same is valid for the continuously varying complex tone signals; the oscillograms represented in Ill. 13 and 14 intend to convey an impression of these. They contain several almost periodical elements, f.i., in Ill. 13 a kind of fundamental wave at approx. 130 Hz, heterodyned by oscillations of about 3 times, or 15 times that frequency. In Ill. 14, a marked fundamental wave of around 100 Hz is recognized at 10 msec/scale graduation, heterodyned by oscillations of about 5 times, or about 20 times that frequency.

Complex wave form – time base 2 msec/scale graduation May 2nd, 1987 – VSW – TE DEVILLE	Complex wave form – time base 2 msec/scale graduation May 2nd, 1987 – VSW – TE DEVILLE
Ill. 13 :  COMPLEX TONE SIGNALS AT CETL

 

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Complex wave form – time base 2 msec/scale graduation March 8th, 1994 – MW – TE BENDER	Complex wave form – time base 10 msec/scale graduation March 8th, 1994 – MW – TE BENDER
Ill. 14:  COMPLEX TONE SIGNALS AT HOMES

The purport of such wave forms is unknown. Different tones of similar forms were subjectively heard and objectively recorded as ‘earth tones’ during mediumistic-meditatively accompanied contact attempts made on open-air terrain in ‘earth energy centers’ in England (near GLASTONBURY) and in Switzerland (BUSCHBERG). In Switzerland, four different tones occurred, and the first two of these were to a certain degree similar to those noticed in England. According to mediumistic information, the other tones are to serve for communicating via the boundless spiritual-mental interior with extraterrestrial intelligences of the universe known to us, the second for the contacts with intelligences from transcendent dimensions in the Beyond. 

When they heard these tones, the persons who had been present at BUSCHBERG, as well as some participants of the workshop organized at the Basler PSI Days in 1995, experienced different psychosomatic sensations, which partly continued during the following days. They reported interior perceptions of tones, animated coloured shapes, bodily states resembling oscillations, of ‘energies’ that had settled in the center of the heart, as well as of strange intelligences, among others of an entity that had appeared in triangular form - and had been subjectively perceived independently by several persons who had attended the workshop. (Report: Lucius WERTHMUELLER, Basel; see also MONTECUCCO and HAFFELDER in C-15). 

At CETL, the TECHNIKER produced a register of his voice ready for a theatre performance, which corresponded with the effects which on April 23^rd, 1933 (!) were documented in the studios of the World Broadcasting Company (later DECCA Records) in Manhattan: in the séance of a direct voice medium, a TECHNICIAN (!) from the Beyond, among others, spoke simultaneously via three acoustically and electromagnetically decoupled microphones and changed his voice up- and downwards within the audible sound frequency range. Among other witnesses CARRINGTON and the secretary of the ASPR (LANGDON in EBON) witnessed the event. In KOENIG’s laboratory, the author observed the analogous ‘howling through’ of a transtone signal. More recently, the experimenters BOLLMANN and ICKENROTH recorded an extremely slowly speaking voice whose technical remarks accompanied a frequency variation effect (personal information). Regarding the entire complex, see what RAUDIVE transmitted to the author on September 19^th, 1994 (F-38.12.14).

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